Event Cancelled

Due to the current situation, all events at the Pierre Boulez Saal  through April 19, 2020 have been cancelled or postponed indefinitely. Any tickets already purchased may be returned.

Details on how to return tickets can be found here.

We are looking forward to welcoming you back to the hall soon.

Artists

Anna Prohaska

Soprano

Julius Drake

Piano

Program

Maurice Ravel

Trois beaux oiseaux du paradis (from Trois Chansons)

Olivier Messiaen

Bonjour toi, colombe verte (from Harawi / Chant d'amour et de mort)

Gabriel Fauré

Paradis (from La Chanson d'Ève Op. 95)

Claude Debussy

Apparition

Jean-Yves Daniel-Lesur

Ce qu’Adam dit à Ève (from Clair comme le jour)

Igor Stravinsky

Pastorale / Song without Words

Hugo Wolf

Die Spröde (Goethe Songs No. 26)

Hugo Wolf

Die Bekehrte (Goethe Songs No. 27)

Johannes Brahms

Salamander Op. 107/2

Aribert Reimann

Gib mir den Apfel (Kinderlieder No. 6)

Benjamin Britten

A Poison Tree (from The Red Cockatoo and Other Songs)

Hans Pfitzner

Röschen biss den Apfel an (from Alte Weisen Op. 33)

Maurice Ravel

Air du Feu (from L'enfant et les sortilèges)

Sergej Rachmaninoff

A-u! (from Six Poems Op. 38)

Charles Ives

Evening

Henry Purcell

Sleep Adam, Sleep Z 195

Franz Schubert

Auflösung D 807

Franz Schubert

Abendstern D 806

Robert Schumann

Jetzt sank des Abends gold’ner Schein (from Paradise and the Peri Op. 50)

Robert Schumann

Warte, warte, wilder Schiffmann (from Liederkreis Op. 24)

Hanns Eisler

Jeden Morgen mein Brot zu verdienen (Hollywood Elegies No. 3)

Hanns Eisler

Diese Stadt hat mich belehrt (Hollywood Elegies No. 4)

Gustav Mahler

Das irdische Leben (from Des Knaben Wunderhorn)

George Crumb

Wind Elegy (from Three Early Songs)

Leonard Bernstein

Silhouette

Approximate running time: 1h 45m with one intermission

Anna Prohaska was first heard at the Pierre Boulez Saal in the opening concert in March 2017 and last season performed Kurtág’s Kafka Fragments. Now the soprano returns for a song recital. Joined by pianist Julius Drake, she presents works from four centuries as a musical journey through "Paradise lost”—a place of both innocence and temptation.