Faust, Bezuidenhout, Kenny & von der Goltz
Biber, Westhoff, Bach
Musical Performance Chamber Music / Early Music 0Isabelle Faust is joined by Kristian Bezuidenhout, Elizabeth Kenny, and Kristin von der Goltz to present a panorama of virtuoso Baroque masterworks for violin: the compositions of Salzburg kapellmeister Heinrich Ignaz Franz Biber and Dresden court musician Johann Paul Westhoff, who were among the leading violinists of their generation, had a significant impact on the development of violin music at the turn of the 17th and 18th centuries, not least on the sonatas of Johann Sebastian Bach.
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Isabelle Faust, Violine
Kristian Bezuidenhout, Cembalo
Elizabeth Kenny, Theorbe
Kristin von der Goltz, Violoncello
Johann Sebastian Bach (1685–1750)
Sonate für Violine und Cembalo Nr. 2 A-Dur BWV 1015 (vor 1723)
I. [Ohne Bezeichnung]
II. Allegro assai
III. Andante un poco
IV. Presto
Johann Paul von Westhoff (1656–1705)
Sonate für Violine und Basso continuo Nr. 4 d-moll (1694)
I. Aria. Largo –
II. Allegro
III. Aria. Andante – Allegro
IV. Arioso
Heinrich Ignaz Franz Biber (1644–1704)
Sonate für Violine und Basso continuo Nr. e-moll C 142 (1681)
[Ad libitum] – Adagio – Variatio. Allegro – Adagio – Presto –
Aria – Variatio. Presto – Adagio
Johann Paul von Westhoff
Sonate für Violine und Basso continuo Nr. 3 d-moll (1694)
I. Grave – Andante
II. Largo
III. Imitatione delle campane
IV. Adagio – Allegro
PAUSE
Johann Sebastian Bach
Sonate für Violine und Basso continuo G-Dur BWV 1021
I. Adagio
II. Vivace
III. Largo
IV. Presto
Sonate für Violine und Cembalo Nr. 3 E-Dur BWV 1016 (vor 1723)
I. Adagio
II. Allegro
III. Adagio ma non tanto
IV. Allegro
Johann Paul von Westhoff
Sonate für Violine und Basso continuo Nr. 2 a-moll (1694)
I. Largo
II. Presto
III. Imitatione del liuto. Presto –
IV. Aria. Grave –
V. Finale
Fotocredits: Peter Adamik