TEMMINGH, MIELDS & CAPRICORNUS CONSORT
HANDEL, TELEMANN, VIVALDI
Stefan Temmingh
Recorder
Dorothee Mields
Soprano
Péter Barczi
Baroque Violin
Éva Borhi
Baroque Violin
Sonoko Asabuki
Baroque Viola
Daniel Rosin
Baroque Cello
Markus Bernhard
Violone
Wiebke Weidanz
Recorder & Harpsichord
Axel Wolf
Lute
Reinhild Waldek
Baroque harp & Recorder
Elisabeth Seitz
Salterio
William Babell
Concerto for Violins and Flute in D major Op. 2 No. 2
George Frideric Handel
Augelletti, che cantate (Almirena's Aria from "Rinaldo" HWV 7a)
Alessandro Poglietti
Capriccio per lo Rossignolo sopra il Ricercar (from "Rossignolo" for Solo Cembalo)
Alessandro Poglietti
Imitatione del medesimo uccello (from "Rossignolo" for Solo Cembalo)
Jacob Van Eyck
Engels Nachtegaeltje (from Der Fluyten Lust-Hof for Solo Flute)
George Frideric Handel
Sweet bird, that shun'st the noise (Aria from L'Allegro, il Pensieroso ed il Moderato HWV 55)
Georg Philipp Telemann
Trauermusik eines kunsterfahrenen Canarienvogels TWV 20:37 "Canary Cantata"
Tragikomische Kantate
Antonio Vivaldi
Concerto for Flute, Strings and Basso continuo in D major RV 428 «Il Gardellino»
Johann Sebastian Bach
Contrapunctus IV (from The Art of the Fugue BWV 1080)
Antonio Vivaldi
Quell’augellin che canta (Aria from La Silvia RV 734)
In many compositions of the Baroque era—whether in opera, oratorio, or instrumental music—birdsong plays an important role. Reason enough for recorder virtuoso Stefan Temmingh, soprano Dorothee Mields, and the Capricornus Consort Basel to dedicate an entire concert program to this subject. In addition to arias by Handel and concertos by Vivaldi and William Babell, audiences will also encounter Telemann’s “Funeral Music for an Artistically Inclined Canary.”
Approximate running time: 1h 30m with one intermission
PROMOTER
Pierre Boulez Saal
Französische Straße 33 D
10117 Berlin
